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Turin Shroud: In Whose Image? the Truth Behind the Centuries-Long Conspiracy of Silence

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Title: Turin Shroud: In Whose Image? the Truth Behind the Centuries-Long Conspiracy of Silence
by Lynn Picknett, Clive Prince, Lynn Pickett
ISBN: 0-06-017224-X
Publisher: Acacia Press, Inc.
Pub. Date: September, 1994
Format: Hardcover
Volumes: 1
List Price(USD): $23.00
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Average Customer Rating: 3.71 (7 reviews)

Customer Reviews

Rating: 4
Summary: Leonardo did it!
Comment: As an atheist I'm one of those that was satisfied after reading this book as far as accepting that the shroud is a fake and that Leonardo da Vinci produced it. In "A CONCISE HISTORY OF PHOTOGRAPHY," by Helmut Gernsheim, 3rd Rev. Ed. ©1965, '71, '86 - Dover Publications. On page 4 it says that da Vinci did camera obscura in late 1400s, early 1500s. In "PHOTOGRAPHY UNTIL NOW," by John Szarkowsky, The MOMA (Museum Of Modern Art) NY, ©1989 - Page 12, "...Given the intimate coherence of Western science during the four centuries between Brother Roger and Sir Francis, it seems likely that the basic principle of the camera obscura was fairly widely known;³ nevertheless no clear descripion of the phenomenon seems to predate that of Leonardo da Vinci, who about 1500 wrote: 'When the images of objects which are illuminated penetrate through a small hole into a very dark room, these images are received in the inside of the room on a white paper, situated some distance form the opening. You will see on the paper all these objects in their proper form and colour. They will be reduced in size, they will present themselves in a reversed position, owing to the intersection of the rays,4' Leonardo, however, ws so secretive a man that he wrote backward so it happened that Giovanni Battista della Porta, who described the camera obscura more than half a century after Leonardo, was long credited as its inventor." We have science to guide us, yet using science it has been proven that there is no historical Jesus and is clearly a human invention. The New Testament says that two clothes were used for Jesus, a body and a separate head cloth. Even though there is no evidence for Jesus, and the religious (christians, mainly) are ruled by the bible, they have to accept this and forget about the Turin shroud being the real thing. You can't have it both ways.

Rating: 4
Summary: Very impressive, up to a point
Comment: The authors give a very informative and entertaining survey of the known history of the Turin Shroud, as well as of the status of research, and of the various theories. They also give a very believable account of their confrontations with the "Shroudies" who want to prove the authenticity of the shroud at all costs.

Moreover, they correctly emphasize that, even if the carbon dating tests have shown that the shroud can't have been made anywhere near the time of Jesus, the question remains as to how it was made.

After reading this book - and checking the work by other researchers cited by them - there is no doubt in my mind that the Turin Shroud was made by a early photographic process. That is the only method that has allowed modern reproductions of the shroud to be made (not only by the authors of the book, whose work - as they admit - in this regard is amateurish, but by a photography specialist in South Africa). Those who insist on the Jacques de Molay theory overlook the fact that the authors of "The Second Messiah" also tried to reproduce the shroud - and failed miserably.

Where the book starts to need more than a few pinches of salt is when they insist that Leonardo da Vinci was the faker of the shroud. They do give a lot of intriguing information about Leonardo, as well as circumstancial evidence, but I did raise my eyebrows when they introduced the mysterious "Giovanni" character who fist pointed the right way. Moreover, other books by the same authors indicate that they tend to move in the shadowy world of conspiracy theories and secret societies - which makes one suspicious. The same goes for the claim that the face on the Shroud is Leonardo's own, and that the intentionally had the face slightly separated from the body.

I personally find it more likely that "head cut from the body" effect was due to a faulty composition, when the faker re-exposed the cloth to capture the face, which I believe to have been photographed separately - and rather than Leonardo, that possibly some today-forgotten artist was the faker.

The Vatican should thank the authors, since, as they point out, should the Shroud turn out to be not only the oldest photograph in existence, but also by Leonardo, and his self-portrait, that would meant that it is the most priceless artifact on the planet.

Rating: 1
Summary: Narrow Minds
Comment: The authors make the dumb mistake of assuming that because the shroud dates from the Middle Ages it must be a fake. It's true connection with Jacques de Molay is not explored fully. They haven't seen the true connection between Jaques de Molay and Leonardo Da Vinci, but at least they were on the right track here. Miracles do happen and none of their arguments have convinced me for one instant that the Turin Shroud is a fake. The shroud was used to wrap the body of Jaques de Molay, but the image is most likely of Jesus Christ. It's that simple. Can I prove this - No. Can anyone disprove this - Give it a go. This book was a rather lame-brained attempt.

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