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The Women Who Wrote the War

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Title: The Women Who Wrote the War
by Nancy Caldwell Sorel, Arcade Publishing
ISBN: 0-06-095839-1
Publisher: Perennial
Pub. Date: 01 November, 2000
Format: Paperback
Volumes: 1
List Price(USD): $15.00
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Average Customer Rating: 4.62 (8 reviews)

Customer Reviews

Rating: 5
Summary: These Women Are Heros In Thier Own Way
Comment: If you ever wondered what it was like for Women who were reproters during World War II, then read this book. It traces their pre-war accomplishments, of which there are many, to what it was like for them at the front, or wherever they were. Many were having problems at home so they used work as an escape. Many had to fight to prove they were as good as a man. Some defied regulations to get a story. These women did what few had done before. These are the stories of the women who wrote the war, read them, you will not be dissapointed.

Rating: 4
Summary: A brave and resourceful group of women
Comment: "The Women Who Wrote the War" is a comprehensive compilation and listing of the contribution of women in the press in World War II. From the first women to recognize the changes in Germany, the real threat of Hitler, and to sound the call of the rise of fanaticism, these women had to fight against fear, physical threats and censorship. They also had to work their way around the bias against their sex....often entering dangerous areas with no support or credentials. All arenas of the war were covered by women, from Germany, France and Britian, to the camps in the Far East and Russia. These women were invaluable in providing an acounting of the horrors of war and the human toll it took. They report on all fronts,and unflinchingly look at he horrors of war close up. This book also details the struggle of these women to be accepted, to find their place in a male dominated career. "The Women Who Wrote the War" is a fiting tribute to there trailblazers.

Rating: 4
Summary: Ladies with typewriters elbow their way to the front
Comment: Waging slaughters has traditionally been considered Guy Stuff. So, too, the reporting of them. THE WOMEN WHO WROTE THE WAR, by Nancy Sorel, is the story of the female war correspondents who, working for various U.S. newspapers and wire services, shoved their way to the battlefronts of World War II, making that conflict, especially in its latter stages, the first to be equally reported by both sexes.

By her own admission, the author cut fully half of the female reporter roster from the book so as not to render it unwieldy. Even then, the half remaining is an Honor Roll of the profession: Helen Kirkpatrick, Margaret Bourke-White, Lee Carson, Ruth Cowan, Lee Miller, Martha Gellhorn, Catherine Coyne, Virginia Irwin, Iris Carpenter, Annalee Jacoby, Mary Welsh, Dickey Chapelle, Sonia Tomara, Shelley Mydans, Pat Lochridge, and a host of others too numerous to mention here.

Beginning roughly with the Spanish Civil War, and finishing with the months immediately after WWII, the book's chapters are a series of snapshots in which Sorel's subjects appear or not, depending on their presence in the theater of conflict being described - and they all seem to move around a lot. So, in sequential order, one reads of reporting Hitler's annexation of Czechoslovakia, the attack on Poland, the fall of France, the Blitz, the Nazi assault on the Soviet Union, the war in China, the Japanese capture of the Philippines, the North African and Italian campaigns, D-Day, the liberation of Paris, the Battle of the Bulge, the Pacific islands war, the advance into Germany, the American-Russian link-up, the liberated concentration camps, V-E Day, and, finally, the surrender of Japan.

I can't give WOMEN WHO WROTE THE WAR a 5-star rating because the number of players was too excessive. It would've been better had Sorel focused on, say, just 3 or 4 correspondents in each theater (Europe and the Pacific) as representative of the whole. As it was, so many names kept popping in and out of the narrative that it was hard to "get to know" any one of them, though some are better introduced than others. However, taken as written, this is an admirably comprehensive look at the gutsy ladies that did what they had to do to bring the stories back home to readers in America. For example, Virginia Irwin obtained one of the biggest scoops of the war by deliberately defying a specific SHAEF (Supreme Headquarters Allied Expeditionary Forces) restriction on correspondents' movements in a certain area. You go, girl!

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