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Coriolanus

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Title: Coriolanus
by William Shakespeare, Harry T. Levin, Alfred Harbage
ISBN: 0-14-071402-2
Publisher: Viking Press
Pub. Date: October, 1956
Format: Paperback
Volumes: 1
List Price(USD): $5.95
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Average Customer Rating: 3.9 (10 reviews)

Customer Reviews

Rating: 4
Summary: The Final Tragedy
Comment: I never understood why this play is so unpopular. Coriolanus is a very striking figure. He is a brave and valiant soldier. Yet, he has contempt for the people he protects. In all honesty this is very common. Shakespeare never allows the intensity of this play to drop for a moment. At first Coriolanus fights to the extreme for Rome. Then he fights to the extreme against Rome. His reconciliation with his former enemy Aufidius in 4.5 is a very memorable scene. Only when he is confronted by his mother, wife, and son does he go through a crisis of conscience. It is interesting that because he begins to see the world in terms other than himself, his downfall becomes inevitable. To be sure, this play is not a masterpiece like "Julius Caesar," "Hamlet," "King Lear," or "Richard III." But it is A LOT BETTER than some of his popular plays like "Othello" or "Romeo and Juliet." I highly suggest it!

Rating: 5
Summary: Shakespeare's Greatest Tragedy
Comment: This is Shakespeare's greatest tragedy in my opinion. Everybody talks about Macbeth, Hamlet, King Lear, Othello, and Romeo and Juliet, but Coriolanus for some reason is mostly, and unjustly, ignored. I feel that Coriolanus is the only pure tragedy among Shakespeare's works. Macbeth was a sociopath who brought all his troubles on himself; Hamlet was a confused young man who couldn't make a decision and who waited too long to get the job done; King Lear was an old fool who played games with his daughters and brought most of his problems on himself; Othello could have avoided his problems if he simply sat down and had a real conversation with his wife; and Romeo and Juliet were just a couple of immature kids who simply needed a few hard kicks in their butts. Coriolanus is different. Coriolanus was simply an honest, hard-working soldier who got the job done and told the truth, but was brought down by the guile of his enemies. That, in my opinion, is the greatest tragedy of them all.

It seems that people either love or hate this play. Many consider Coriolanus to be a very unlikable character because he is supposedly arrogant, but I disagree. Coriolanus just worked hard, told the truth, was a straight shooter, and refused to play silly games by telling people what they wanted to hear. I guess I see something different in this play than most critics and readers of Shakespeare.

Rating: 4
Summary: Fine Edition of Interesting Play
Comment: This inexpensive volume is a fine edition with very readable text, good notes, and a nice introduction. Coriolanus is not one of Shakespeare's most popular plays, though it has its partisans. As with several of Shakespeare's best plays, it is an attempt to combine an investigation of the nature of power with a psychological portrait. The nature of power or kingship was one of Shakespeare's great themes, featured in some of the great tragedies like MacBeth or Lear, and this theme runs through many of his history plays. In Coriolanus, however, this theme is handled less well. It is interesting to speculate why Shakespeare, who dealt with this theme so well in many plays, doesn't do such a good job in Coriolanus. The action in Coriolanus is set in a republic, not a monarchy. The structure of republican politics is not one Shakespeare would have known well and the problems of politics and authority in a republican are different than those of a monarchy. Particularly for modern audiences, whose intrinsic understanding of republican politics is much greater than Shakespeare's, the clumsy handling of the tension between the aristocratic Coriolanus and the plebes rings false. In addition, the psychological portrait of Coriolanus is not nearly as rich as Shakespeare's analysis of quite a few of his other protagonists. Much of the language in Coriolanus is powerful but it lacks the dramatic movement and insight of his best work.

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