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One Place after Another: Site-Specific Art and Locational Identity

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Title: One Place after Another: Site-Specific Art and Locational Identity
by Miwon Kwon
ISBN: 0-262-11265-5
Publisher: MIT Press
Pub. Date: 21 June, 2002
Format: Hardcover
Volumes: 1
List Price(USD): $32.95
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Average Customer Rating: 3.5 (2 reviews)

Customer Reviews

Rating: 2
Summary: One obscure word after another is more like it
Comment: Miwon Kwon's writing is extremely wordy and very hard to grasp. You'll inevitably spend more time looking up her obscure vocabulary than actual reading. I found her writing hard to comprehend even after reading chapters multiple times. I'm a college level reader, and have experienced few problems understanding other art related readings. Her sentences are incredibly redundant and very hard to understand. Honestly, I would ONLY recommend this book to College Professors or anyone with a PHD; otherwise save your self the time and pass this one up. You'll be happy you did.

Rating: 5
Summary: one contention after another
Comment: I find Kwon's book informative and insightful, especially as a practitioner working with installation and context-specific project, and with current development of contemporary theories particularly in mind. Kwon's geneological approach towards reading the development of site-specific work is impressive, obviously overlaid with cultural theory in her analysis. Although she has focused mainly on the perplexity of community-charged art projects at the later chapter, her delivery on spatial politics and the many other facets of the production of site-specific art is most valuable, especially with some useful terminology and concepts (in reading the progress of these practice). Reading the text in conjunction with few other similar books on the issue of space, site and art production, one could discern some of the common notions of criticality and urgency in addressing the unscrupulous co-option of mainstream institutional forces. No doubt, the text could post as both informative and also a challenge towards artistic production, itself in turn becomes a site of intervention as it suggest (and aim) for communal praxis in an (politically correct) age of 'glocalisation'.

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