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The Frankfurt School: Its History, Theories, and Political Significance (Studies in Contemporary German Social Thought)

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Title: The Frankfurt School: Its History, Theories, and Political Significance (Studies in Contemporary German Social Thought)
by Rolf Wiggershaus, Michael Robertson
ISBN: 0-262-73113-4
Publisher: MIT Press
Pub. Date: 23 February, 1995
Format: Paperback
Volumes: 1
List Price(USD): $45.00
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Average Customer Rating: 5 (1 review)

Customer Reviews

Rating: 5
Summary: The definitive book on the theme (so far)
Comment: Wiggershouse provides, with depth and precision, a chronological account of the history of the Institute of Social Research -"The Frankfurt School" - from its founding in 1924 to Adorno's death in 1969 (an Afterword briefly describes that happened to the critical theory school in Germany up to the mid 1980's). Appropriately, the book's emphasis is on the ideas of the Frankfurt School's theoreticians; the inclusion of factual episodes and brief biographies serve mainly to guide the reader through the convergences and divergences between the ideas moving around critical theory. Among the many virtues of the book, is the attention given to lesser known theoreticians associated with the Institute, such as Friedrich Pollock, Franz Neumann, and Otto Kirchheimer. Another virtue is that Wiggershouse does not attempt to elect "heroes" within this fascinating group of thinkers. Quite the contrary. Max Horkheimer, though depicted as a creative thinker, emerges from the book pages with a dubious character. Horkheimer's claims in favor of an interdisciplinary research program contrast with his attitudes as the Institute's director. The episode involving Habermas' exit from the Institute is exemplar of Horkheimer's rather intolerant personality. Theodor Adorno, described in all his intellectual brilliance, appears as the genius who voluntarily chose to stay under Horkheimer's shadow and who, at the heat of the student's movement in the late 60's in Germany, took an "ivory tower" type of attitude. The book has only one noticeable flaw (if one can regard it as such). Though the emphasis on the ideas is what makes the book extremely interesting, Wiggershaus is not always successful in clarifying them. For instance, for readers not familiar with Adorno's aesthetics theory, Wiggershaus' presentation is not very helpful. Nevertheless, all in all, Wiggershaus' book is definitely "the" reference book for students of critical theory.

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