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Title: David Lean: A Biography by Kevin Brownlow ISBN: 0-312-16810-1 Publisher: St Martins Pr Pub. Date: 01 September, 1997 Format: Paperback List Price(USD): $24.95 |
Average Customer Rating: 4.83 (6 reviews)
Rating: 5
Summary: Engrossing and Illuminating
Comment: A simply marvellous biography of a cinema titan. It's the product of many conversations between Lean and the author, a great film historian and no mean director himself, having made the gorgeous Silent Era documentary "Hollywood" (is that ever coming out on DVD?!). For this reason the tone is very chatty, with so much quotage from Lean himself that it's nearly an autobiography; and Brownlow's knowlege of real-world production lets him know just what questions to ask. It rather reminded me of "Hitchcock/Truffaut", another filmmaker-to-filmmaker conversation. Mind you Truffaut didn't bother quite so much with Hitchcock's love affairs, but one can always skim. It looks intimidatingly massive but this is more because of the lavish illustrations than excessive wordiness. Great read, inspiring and full of useful tidbits.
Rating: 5
Summary: Covering All Phases of a Fascinating and Complicated Genius
Comment: Kevin Brownlow touched all bases of David Lean's life, providing insight into the films and his unconventionally fascinating life, making this one of the finest film biographies I have ever read about a cinema giant about whom I had longed to learn more about. Brownlow divides Lean's career into two distinct phases, 1) the British period in which he worked at home and captured the true essence of his people and, 2) the international phase in which the master film craftsman lived in hotels and moved from one country to another in producing a series of internationally spectacular movies such as "Lawrence of Arabia", "Doctor Zhivago" and "The Bridge on the River Kwai."
Brownlow begins with Lean's roots as a restless youngster in the London suburb of Croydon. His lack of curiosity and penchant for traditional school learning coupled with the stolen hours he spent sitting inside darkened theaters in a state of fascination revealed where his adult years would be spent.
Once that Lean began following his dream he quickly became established as Britain's foremost film editor. In that context Brownlow expunges a canard that was carried all the way to obituaries after the great director's death in 1990 that Noel Coward gave the aspiring director a leg up in teaming up with him to co-direct the brilliantly done war film about the British Navy, "In Which We Serve," in which Coward also starred along with Celia Johnson and John Mills. It turned out that Coward's move proved to his personal benefit as Lean did most of the directing and Coward was concerned mainly about his own scenes, after which he would generally leave the set, entrusting the basic direction of the film to Lean. We also learn that Lean, unlike Sir Carol Reed and other prominent British directors, turned down a chance to begin his directing career on low budget "quota quickies," deciding instead to wait for a major opportunity, which came with "In Which We Serve." Later that same year one of Lean's greatest films, the epic love story "Brief Encounter" with Trevor Howard and Celia Johnson, hit the screens and the young director's career was away in a flourish.
After achieving prominent worldwide status as a great international director, Lean's sensitivity resulted in overreacting to the criticism of tart New Yorkers at a Round Table session at the Algonquin Hotel. Lean was sharply criticized for "Ryan's Daughter," which American critics such as Richard Schickel and Pauline Kael believed was well below the high standard he established with "Brief Encounter" and continued with other films. According to Brownlow, Lean was sufficiently wounded to take a sabbatical before doing his last film, the highly acclaimed Indian epic "Passage to India" based on the E.M. Forster literary classic.
Brownlow does a superb job of depicting the period and the films from Lean's prolific career. Lean's was a mastery of style and entertainment, enriching story telling with beautiful visual imagery and word economy in the best sense, making the language all the more meaningful. This book does his career justice while enhancing our knowledge of a great man.
Rating: 5
Summary: Great Picture of a Great Director
Comment: Kevin Brownlow has written an interesting and detailed account of David Lean, director. I loved the behind the scenes stories. You will learn a lot about the intensity and weakness in this driven man. He loved films and the making of films. Film producers and film critics had a direct effect on this man. Read it if you are at all interested in David Lean.
April 24, 2003 - I still refer to this book. Often re-read sections of it. It is still 5 out of 5
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Title: Down and Dirty Pictures : Miramax, Sundance, and the Rise of Independent Film by Peter Biskind ISBN: 068486259X Publisher: Simon & Schuster Pub. Date: 06 January, 2004 List Price(USD): $26.95 |
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Title: Alexander Hamilton by Ron Chernow ISBN: 1594200092 Publisher: The Penguin Press HC Pub. Date: 26 April, 2004 List Price(USD): $35.00 |
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Title: The Da Vinci Code by Dan Brown ISBN: 0385504209 Publisher: Doubleday Pub. Date: 18 March, 2003 List Price(USD): $24.95 |
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Title: David Lean: An Intimate Portrait by Sandra Lean, Barry Chattington ISBN: 0789306263 Publisher: Universe Books Pub. Date: October, 2001 List Price(USD): $45.00 |
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