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Title: In America : A Novel by Susan Sontag ISBN: 0-312-27320-7 Publisher: Picador USA Pub. Date: May, 2001 Format: Paperback Volumes: 1 List Price(USD): $14.00 |
Average Customer Rating: 2.73 (37 reviews)
Rating: 4
Summary: Rich in ideas, disappointing in ending
Comment: Reading this book is like having someone snatch a particularly juicy feast out from under your nose before you've had the chance to enjoy it properly. "In America" is a rich tale to savor, but slices of it are underdone and it comes to such an abrupt end that the reader is left wondering what happened to the final course.
Starting the novel with an awkward Zero chapter--meant, I think, to better explain the characters--Susan Sontag tells of Maryna Zalezowska, the leading Polish actress of the 1870s, who comes to California to open a utopian commune near Anaheim. The commune quickly fails, and Zalezowska begins the task of reinventing herself as an American actress. She does this brilliantly, and begins a new career traveling across the United States in a private train car performing everything from Shakespeare to the 19th century's favorite sob-fest, "East Lynne."
The sections on how an actress of that age learned and prepared roles, and the insight into nuts-and-bolts workings of 19th century American theater are marvelous, as are the stunning monologue chapters expressing the three main characters' internal and external struggles (the book ends with a devastating monologue by Edwin Booth that is one terrific piece of writing). On the other hand some of the characters are barely sketched and "In America" simply ends. There's no resolution, no sense that the last page of the book should be the last page-in fact, you'll probably turn that page expecting a concluding chapter. And you'll feel cheated.
There's something mean about allowing readers such access to characters' minds and emotions and then chopping the narrative when there is obviously so much to come. Is it that Sontag can't sustain the narrative? The novel reads that way.
It is hard to know how many stars to give "In America." I found much of it fascinating, but felt slighted by the lack of resolution. Yes, even though I know that the real-life model for Maryna, Helena Modjeska, had a long and successful career before retiring to the remote Southern California canyon that still bears her name, I feel robbed of the chance to follow her there, guided by Sontag's masterly hand.
Rating: 3
Summary: A Listless Tale That Glides on a Sparkling Smooth Surface
Comment: The plot of "In America", Susan Sontag's National Book Award-winning novel, is adumbrated in her introductory note, where she describes the real historical life that inspired the fictional work. In Sontag's words, the novel was "inspired by the emigration to America in 1876 of Helena Modrzejewska, Poland's most celebrated actress, accompanied by her husband, Count Karol Chlapowski, her fifteen-year-old son Rudolf, and the young journalist and future author of 'Quo Vadis' Henryk Sienkiewicz, and a few friends; their brief sojourn in Anaheim, California; and Modrzejewska's subsequent triumphant career on the American stage under the name of Helen Modjeska." While Sontag strongly emphasizes that the characters and actions depicted in her novel are purely invented (and there is no reason to believe the contrary), the plot largely follows the biography that inspired it.
"In America" begins in a post-modernist fashion, the book's "Chapter Zero" being the first person narrative of a contemporary authorial voice who finds herself coming out of the cold winter of an unidentified Eastern European city, shivering, into a party in the private dining room of a hotel more than a hundred years earlier. There is seemingly a disjunction of time and place. The narrator does not understand the language the people are speaking, "but somehow, I didn't question how, their words reached me as sense." From this point, the authorial voice, the imagination, begins naming the people in the room-in effect, begins creating the characters that will populate the tale to follow-and begins probing the animated conversation she overhears, the snippets of enigmatic dialogue that will gradually accrete into the novel. As the narrator suggests at the end of this Chapter Zero, in words resonant of a theme by Virginia Woolf, "each of us carries a room within ourselves, waiting to be furnished and peopled, and if you listen closely, you may need to silence everything in your own room, you can hear the sounds of that other room inside your head." Thus, in typical Sontag fashion, the novel itself begins with a self-conscious intrusion of theory and authorial presence.
From this interesting and auspicious beginning, "In America" seamlessly glides into the narrative proper, the story of Maryna Zalezowska, a much beloved Polish actress who, together with her husband Bogdan, her son Piotr, her paramour Ryszard, and an entourage of friends and followers, emigrates to America in 1876. Landing in New York, the group spends a brief period living in Hoboken, visiting the Centennial Exhibition in Philadelphia and exploring New York City before embarking on a voyage to the West. After a brief sojourn in San Francisco, they move down the coast to Southern California, where they establish a small settlement in Anaheim. Maryna, the leader of her band of ardent disciples, sees their vineyard and farm in Anaheim as a kind of acting out of Fourieristic ideals, a little Brook Farm of Polish emigrants in the Wild West. Life is hard, however, and the utopian dream soon becomes a dystopic unraveling as Maryna goes back to San Francisco, has a brief affair with Ryzsard and returns to the theater. Her husband, Bogan, remains at the Anaheim settlement until it can be sold and then rejoins Maryna in San Francisco, where she has become an overnight theatrical sensation, her Polish stardom now burning brightly in America.
From this point, the novel becomes almost exclusively the story of Maryna. She changes her name to Marina Zalenska, travels to Virginia City and, eventually, New York City (and even, briefly, London), and attracts fans and admirers wherever she goes. Her life becomes a self-centered, exhaustive tour of America, performing with her own repertory company and making stage appearances with the Edwin Booth, the most renowned actor of the time. Pushing the narrative's other characters into the shadows, Marina Zalenska makes America her own, "In America" being not so much the story of what it was like for a group of Eastern Europeans to emigrate to America, but, rather, the story of Marina Zalenska's personal triumph in America.
Susan Sontag is a brilliant writer, her prose supple and lithe. Reading this book is effortless. Sontag also uses a range of stylistic devices-journal entries, letters, theatrical dialogue, monologue-which make "In America" a fascinating literary construction. However, the quality of the writing does not redeem the listless tenor of the tale or the shallowness of the characters and ideas which Sontag propogates. At one point, Maryna says, "an actor doesn't need to have an essence. Perhaps it would be a hindrance for an actor to have an essence. An actor needs only a mask." Unfortunately, Maryna's view of acting seemingly permeates this novel, the view of the character becoming the practice of the author: the characters and the ideas of "In America" are not essential, but only superficial. Like the post-modernist beginnings of Chapter Zero, the reader only gets a shallow tale, a tale that glides on a sparkling smooth surface with trivial and uninteresting characters; while the writing is easy, the story fails to hold the reader's interest and, hence, the reading becomes difficult and soporific. "In America" is perhaps worth reading, but it is not deserving of the National Book Award.
Rating: 1
Summary: a great essayist, but as a novelist....
Comment: I have enjoyed the depth of Susan Sontag's lucid, witty essays in the New Yorker magazine, and recently we saw her on Cspan Book -TV. A caller asked what would be the best introduction to her writings, and she suggested her novel "In America."
This book was surprisingly disappointing to me. I kept waiting to get swept up into it, but came to the last page with only a sense of duty for finishing. The characters are drawn well enough ,the time frame (post-Civil War America) is interesting, but the book failed to engage me somehow. Sontag has an affinity for the movies and for actors;she has created as the lead character a Polish actress who finds stellar success on the American stage.
I will continue to enjoy Sontag's essays but doubt I will read another of her novels.
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Title: Regarding the Pain of Others by Susan Sontag ISBN: 0374248583 Publisher: Farrar Straus & Giroux Pub. Date: 19 February, 2002 List Price(USD): $20.00 |
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Title: The Volcano Lover : A Romance by Susan Sontag ISBN: 0385267134 Publisher: Anchor Pub. Date: 19 February, 1997 List Price(USD): $14.95 |
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Title: Against Interpretation : And Other Essays by Susan Sontag ISBN: 0312280866 Publisher: Picador USA Pub. Date: 25 August, 2001 List Price(USD): $14.00 |
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Title: On Photography by Susan Sontag ISBN: 0312420099 Publisher: Picador USA Pub. Date: 25 August, 2001 List Price(USD): $13.00 |
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Title: Where the Stress Falls by Susan Sontag ISBN: 0374289174 Publisher: Farrar Straus & Giroux Pub. Date: 21 September, 2001 List Price(USD): $27.00 |
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