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Title: Zuleika Dobson by Max Beerbohm ISBN: 0-375-75248-X Publisher: Modern Library Pub. Date: 14 September, 1998 Format: Paperback Volumes: 1 List Price(USD): $19.00 |
Average Customer Rating: 3.89 (19 reviews)
Rating: 5
Summary: a hoot
Comment: I have to admit that when the Top 100 list came out, I had never heard of this book or it's author. And yet, by itself, the revelation of this satirical baroque masterpiece justifies all the wretched dreck I've waded through on the List.
Zuleika Dobson is the beautiful young granddaughter of the Warden of Judas College at Oxford. She's been earning a living as a conjurer and is the toast of France and America. But Zuleika has never loved a man. She has determined that a woman of her superior beauty can only love a man who is so superior as to be oblivious to her charms. Thus far, there has been no such man.
Immediately on her arrival on campus, the entire student body falls madly in love with her. However, at dinner her first night the young Duke of Dorset seems indifferent. Could he be the man? Alas, it turns out that he too is smitten and when she discovers this she spurns him. Unused to such a dismissal, the Duke decides that he must kill himself & soon the whole College is ready to follow his example.
The book is a shrieking hoot from start to finish & the whole thing is rendered in an ornate prose that is wholly unique. Take this description of the Duke & his troll like flat mate Noaks:
Sensitive reader, start not at the apparition! Oxford is a plexus of anomalies.
These two youths were (odd as it may seem to you) subject to the same Statutes,
affiliated to the same College, reading for the same School; aye! and though the
one had inherited half a score of noble and castellated roofs, whose mere
repairs cost him annually thousands and thousands of pounds, and the other's
people had but one mean little square of lead, from which the fireworks of the
Crystal Palace were clearly visible every Thursday evening, in Oxford one roof
sheltered both of them. Furthermore, there was even some measure of intimacy
between them It was the Duke's whim to condescend further in the direction of
Noaks than in any other. He saw in Noaks his own foil and antithesis, and made
a point of walking up the High with him at least once in every term. Noaks, for
his part, regarded the Duke with feelings mingled of idolatry and disapproval.
The Duke's First in Mods oppressed him (who, by dint of dogged industry, had
scraped a Second) more than all the other differences between them. But the
dullard's envy of brilliant men is always assuaged by the suspicion that they
will come to a bad end. Noaks may have regarded the Duke as a rather pathetic
figure, on the whole.
Or this passage describing the suicidal yearnings of the student body:
You cannot make a man by standing a sheep on its hindlegs. But by standing a
flock of sheep in that position you can make a crowd of men. If man were not a
gregarious animal, the world might have achieved, by this time, some real
progress towards civilization. Segregate him, and he is no fool. But let him
loose among his fellows, and he is lost--he becomes just a unit in unreason. If
any one of the undergraduates had met Miss Dobson in the desert of Sahara, he
would have fallen in love with her; but not one in a thousand of them would have
wished to die because she did not love him. The Duke's was a peculiar case.
For him to fall in love was itself a violent peripety, bound to produce a
violent upheaval; and such was his pride that for his love to be unrequited
would naturally enamour him of death. these other, these quite ordinary, young
men were the victims less of Zuleika than of the Duke's example, and of one
another. A crowd, proportionately to its size, magnifies all that in its units
pertains to the emotions, and diminishes all that in them pertains to thought.
It was because these undergraduates were a crowd that their passion for Zuleika
was so intense; and it was because they were a crowd that they followed so
blindly the lead given to them. To die for Miss Dobson was 'the thing to do'.
The Duke was going to do it. The Junta was going to do it. It is a hateful
fact, but we must face the fact, that snobbishness was one of the springs to the
tragedy here chronicled.
I can't recommend this one highly enough.
Rating: 4
Summary: Death cancels all engagements....
Comment: Zuleika!!! The crys of Oxford's entire undergraduate body before hurtling into the Isis towards death echoed in my memory as I closed Beerbohm's little book. The book was excellent, but in parts I found myself asking- WHY?- so they die for love of Zuleika-then what? But the thinly stretched plot contains gems of scenes, of lines. (The Emperors on the Sheldonian sweating with premonition.) For someone who knows Oxford, the book is intensely funny- however it is not entirely dependent on locus- it is witty-poking fun at Greek drama, at the sense of Duty, sticking to ones word, at love even-though it, in itself bears similarity to Sophoclian play. In its absurdity the tragedy of death bears no real meaning-The race must continue! Definately A READ!
Rating: 5
Summary: Laugh-Out-Loud Satire
Comment: If this were anything but a social satire, the argument that the characters are unlikeable would have more merit. However, the tone of the narrator throughout the novel clearly tells the reader that he or she is not to take the characters too much to heart. The intentional bathos of many of the scenes undercuts the dignity and importance of the events and people with which the narrative superficially presents them.
Beerbohm's wit and frequent excursions into the supernatural, (describing events from a statue's perspective and his personal relationship with the historical muse, just to name two instances), allow us to accept the characters as likeable within the make believe framework of their setting - a circumstance that is, I think, at the heart of the satire. Well, ZD herself may not always be likeable since she is so shallow, but that is her nature as a succubus (not literally, but the overt suggestion is there). A great femme fatale, though not a feminist.
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