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Sensual Math: Poems

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Title: Sensual Math: Poems
by Alice Fulton
ISBN: 0-393-31445-6
Publisher: W. W. Norton & Company
Pub. Date: 01 December, 1996
Format: Paperback
Volumes: 1
List Price(USD): $12.00
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Average Customer Rating: 4.75 (4 reviews)

Customer Reviews

Rating: 4
Summary: Publishers Weekly should be ashamed of itself
Comment: Fulton is not Dickinson; the comparison is spurious, and a detriment, finally, to Fulton's talent. This is an interesting collection, but, I think, one not able to sustain the hyperbolic praise that is has garnered. Still, it is worth a close read.

Rating: 5
Summary: Maybe I'm not qualified, but I'll still speak my peace
Comment: Let's preface this review with an explanation -- I'm not an intellectual, and if it wasn't for my perverse sense of humor mixed with my young ambition to take as many courses in mathematics as possible, I would probably never have picked this book up off of a friend of mine's shelf.

That being said, I did pick it up. I opened it, and I had to read the first poem three or four times to make sure it was really as good as I thought. Then I moved on to the next, and the next. Long story short, I bugged the book's owner so much, now the book is mine. I have been thouroughly impressed with each successive poem. Since this (poetry) is not my usual thing, I lack the vocabulary to adequately describe this book.

It appealled to me, a (then) computer science and anthropology double major, and it appealed to my firend, who had a phd in literature.

Bottom line: No matter who you are, buy this book.

Rating: 5
Summary: I loved this book. I highly recommend it.
Comment: It seems like Alice Fulton can bring anything into a poem and make it work. In these poems, for example, there's Elvis Presley, faked orgasms, TV-reruns. But she's not just grabbing images from popular culture to make the poems accessible - she's using them, it seems to me, because they're as much a part of our world, our ways of knowing and feeling, as classical myths, which are also here. (See her fantastic reinterpretation of Daphne and Apollo in the sequence called "Give:") And what's as wonderful to me is the lushness of these poems, the extravagance of language, the way Fulton builds up these crystal-like surfaces from line to line or stanza to stanza and makes them tilt, twist, dance. Alice Fulton's poems are exciting!

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