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A Director Prepares: Seven Essays on Art and Theatre

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Title: A Director Prepares: Seven Essays on Art and Theatre
by Anne Bogart
ISBN: 0-415-23832-3
Publisher: Routledge
Pub. Date: 01 August, 2001
Format: Paperback
Volumes: 1
List Price(USD): $15.95
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Average Customer Rating: 4 (3 reviews)

Customer Reviews

Rating: 5
Summary: A Landmark for Theater
Comment: Bogart writes from her years of experience and vision in A Director Prepares. Readers merely looking for a book on "how to direct" may want to look elsewhere: this manifesto takes on serious issues faced by theater artists every day. While other books "on directing" explain how to get actors from point A to point B, A Director Prepares examines the shoulders that theatermakers stand on: artistically, historically, politically. And it's not just for Bogart/SITI Company disciples. Like the creation of theater, A Director Prepares requires heightened attention and a clean slate every time you dive into its pages. It's inspiring, but also a challenge to theater makers to rethink how we approach our processes and to question upon whose shoulders we stand.

Rating: 2
Summary: A Director Does What?
Comment: This book was a requirement for my directing class and I must say it did not help me at all. The title is misleading suggesting that a reader actually gets advice on how to prepare for directing. Instead, readers get Bogart's theory on what theater directing is. The book gives aspiring directors a confidence boost where Bogart basically says, "you can do it, just be persistent and brave." If anyone wants to get a book that gives a better description of what directing entails, the best bet is to get the book, A Sense of Direction, written by William Ball.

Rating: 5
Summary: Inspiring and unpretentious
Comment: Far from being a prescription about how to direct, this book offers the wisdom of Anne Bogart's experience as a collaborator, investigator of the human condition, and artist committed to making theatre that is alive and relevant. I have had the pleasure of knowing and studying with Anne, and this book codified and elaborated on so many of the things I wished I'd written down at the time. The book illuminates her way of working more than it promotes any particular aesthetic, and in that, I think it should be incredibly helpful and informative to all theatre artists at any stage in their careers. Some reference point for Anne's work or the work of her SITI Company might make the more esoteric sounding parts of the book clearer for the reader, but all in all, this is a great read.

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