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Methods and Materials of Painting of the Great Schools and Masters

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Title: Methods and Materials of Painting of the Great Schools and Masters
by Sir Charles Lock Eastlake
ISBN: 0-486-41726-3
Publisher: Dover Pubns
Pub. Date: 30 March, 2001
Format: Paperback
Volumes: 1
List Price(USD): $29.95
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Average Customer Rating: 5 (3 reviews)

Customer Reviews

Rating: 5
Summary: METHOD PREVAILS OVER SPECIFIC TECHNIQUE
Comment: I have and keep a number of copies to provide to friends and students. I am so glad to see another release. If you enjoy reading historical treatises or are just an art ecclectic, this book is for you. Covering major schools of thought regarding painting from the Southern and Northern renaissance to contemporary practises (of the 1850's), this book covers one overlooked component of sucessful painting- namely method.
The steps necessary of how to consider building a painting are detailed. We all know of additive and subtractive color methods, but how about the most powerful? The dynamic method! Most colleges are telling students about "glazes", which is a poor illustration and obvious that the the entire process is not well understood nor adequately experienced by the professor of "glazes". This book blows away the semantic myth of direct painting as currently understood with the unrealized potential of lead white, veiling with white, "hot" underpaintings, typical pigment mixtures and a wealth of history.
I found my first used copy almost 30 years ago and have found it to be the an indispensable tool for the artist who "seeks further light" from an original source without the meddling of art supply manufactures, convenience influenced art education, and those terrified of heavy metals. If you have the courage to look, read and the iniative to comprehend, the info is invaluable. Take notes as read, for the ideas are simple yet profound in their power and applications. This is not just "a substitute token".

Rating: 5
Summary: A Thorough History of the Use of Oils in Painting
Comment: Eastlake traces the use of drying oils and resins from the early Greeks through the perfection of these substances for use as mediums by the brothers Van Eyck. He discusses preparation of materials, execution, and technical difficulties faced in the use of an oil vehicle. This work will make you rethink everything you know about oil painting. A must read for the serious painter.

Rating: 5
Summary: Filled with the secrets of western art's great masters.
Comment: This classic treatise on the painting methods of western art's great masters is an indispensible resource for the artist and connossieur. The current crop of "how-to" books that have taught artists for most of the 20th century look pathetically infantile after reading just a few pages of Sir Charles' book. Eastlake's readers were not ignorant hobbyists, but fellow scholars and masters of the art of oil painting. This volume is what it says it is -- a book of secrets. While you may be a master (not by the 20th century definition), you may not be privy to the secrets of Rembrandt, Da Vinci, Velazquez, etc. If only modern books explaining art materials and techniques would treat today's reader as one possessing a few "secrets" of his or her own, maybe western art would still be building on the legacy of the great schools and masters instead of trying to jump-start a nearly dead tradition. More than being a "must-read", this book is a "must-have.&quo

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