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X-Men Visionaries: Neal Adams

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Title: X-Men Visionaries: Neal Adams
by Chris Claremont, Dennis O'Neil, Roy L. Thomas, Tom Palmer, Neal Adams
ISBN: 0-7851-0198-5
Publisher: Marvel Books
Pub. Date: July, 1996
Format: Paperback
Volumes: 1
List Price(USD): $24.95
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Average Customer Rating: 4 (8 reviews)

Customer Reviews

Rating: 2
Summary: More color complaints
Comment: Seriously, what were they thinking when they gave the coloring job on this the green light? For those who love great artwork in comics, this short run by Neal Adams on X-Men in the late 60's is really one of the highlights. So why would Marvel treat it so poorly? One reviewer mentioned the previous print job as being worse but I disagree. This is a mess; costumes change color from page to page, some pages are flat, saturated color while others are dot printed (which looks far worse on high grade paper than on newsprint!). I also hope they give this a third, improved printing. For those of you who can't wait, the great artwork is still there, it's just buried under an inept rush-job. Personally, I would've prefered the thing in b&w.

Rating: 5
Summary: Neal Adam's brilliant nine-issue run on 'The X-Men" 1969-70
Comment: You have to remember before issue #56 of the "X-Men" came out in 1969 that the comic book was hurtling towards oblivion (which meant it would became a reprint title for Marvel). Jim Steranko had come in and done a few wonderful issues but then we had issue #53, which we all thought was the worst drawn comic in the history of the world. The artist was some young kid off the boat from England named Barry Smith who was clearly trying to imitate Jack Kirby (what we did not know was that Smith had literally drawn the pages sitting on benches in Central Park. In what was clearly a final but big time effort to save the X-Men, Neal Adams was brought in as the artist, the pages inked by Tom Palmer, the stories written by Roy Thomas and then Dennis O'Neil. For those who had suffered through issues drawn by the competent but uninspiring Don Heck, the nine issues drawn by Adams raised the bar for what the art in a comic book could look like. Whereas Steranko was the master of style, Adams provided a realism that was just great, as he went on to show while drawing Batman and Green Lantern/Green Arrow for DC.

Collected in "X-Men: Visionaries - Neal Adams" are issues #56-63, and 65 of "X-Men," published originally in 1969-1970, and since all of them run for over $100 in proverbial near mint condition, this is a nice way of enjoying these great comic book stories. Issue #56 has the Living Pharaoh, #57 the start of an awesome Sentinel trilogy, #58 offers the first appearance of Havok, #59 has Cyclops as the last X-Man standing against the Sentinels, Issues #60-62 offers the Sauron trilogy, which gets the X-Men back to the Savage Land and a meeting with Ka-Zar, #63 is a nice Magneto story (picking up on the Steranko bit of the devil having a daughter), and #64 is admittedly a lame monster story. These were just above well above average stories with the longer storylines working to the advantage of the characters and the artwork. I did not understand the importance of using the name "Sauron" as a villain, since I was still a few years away from reading the Lord of the Rings, but it was cool to have a monster that was a flying dinosaur. The Havoc costume was pretty cool too and I still remember the way Adams introduced Magneto without his helmet in one of the great reveals of all time. There was one more original issue after the run by Adams and then the title started reprinting issues #12-45. Granted, the run by Chris Claremont and John Bryne when the X-Men were brought back as an international gang of merry mutants in 1975 is the highpoint of the series, but the issues by Adams comes in a strong second.

Rating: 3
Summary: 2nd print of tpb a minor improvement
Comment: The 2nd print is very close, but no cigar. After the computer coloring hack job of the first print, Marvel redid some of the issues, as there were originally printed 30 years ago. Unfortunately, there are still some pages, here and there, that still have this bad coloring work. On top of it, I now see some colored pages from the 80's special edition reprints making it an inconsistent mess.
Hopefully by the time Marvel releases the 3rd print, ALL of the coloring for this collection will be brought back to its former glory.

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