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Awaiting Oblivion

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Title: Awaiting Oblivion
by Maurice Blanchot, John Gregg
ISBN: 0-8032-6157-8
Publisher: University of Nebraska Press
Pub. Date: 01 May, 1999
Format: Paperback
Volumes: 1
List Price(USD): $15.00
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Average Customer Rating: 4.33 (3 reviews)

Customer Reviews

Rating: 5
Summary: A foray into the deepest heart of relationships
Comment: This book is a foray into the deepest heart of relationships, and leaves one unguarded (as few other books have attained) to experience the letting-go that is so difficult for any of us to do, both as singular individuals and in our relationships with our significant others. This *experience* of letting-go is remarkably accessible in this book, and is remarkable for that fact alone, as few books can produce this sort of insight into the human condition of the notion of property, both in our relationships and in our daily experiences. It is an unsettling, uncanny book that stays with you after you have read it. Highly recommended.

Rating: 5
Summary: Openings, not closings...
Comment: The text is an intimate engagment with a question of relation. Perhaps it is not in anyone's (including Blanchot's...) interest to somehow portray a more "accurate" picture of the world, to write a "better" narrative or récit, rather, perhaps there is something more fundamental at stake which places even the practice of reading into question. And if this is at all true, it one of the foremost reasons why I hold almost all of Blanchot's texts in the highest regard.

Rating: 3
Summary: watching one's wait
Comment: Imagine yourself a leading French theorist: here is a recipe for that troublesome new 'recits'- return to an earlier work (in this case, his first, 'Death Sentence'/L'arrete de Mort')- find a germane incident within that book- rip those pages out. Now set up two charatcters in a situation that mirrors the originary fictional incident- have those two characters try to analyze the event's 'implication' from within the same setting. Digress frequently. Sound a little too Stoppardian for you? Not sure you'll find the Godot-like intertextual rib-tickles very compelling? For fiction his short-stories 'The last word', or 'The idyll' are easily a thousand nights more lucid; for heavy theory, 'The Writing of Disaster' is detonative. This work sadly's just oblivious...

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