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Title: Outlaw Representation : Censorship and Homosexuality in Twentieth-Century American Art by Richard Meyer ISBN: 0-8070-7935-9 Publisher: Beacon Press Pub. Date: 05 January, 2004 Format: Paperback Volumes: 1 List Price(USD): $25.00 |
Average Customer Rating: 4.12 (8 reviews)
Rating: 5
Summary: A book for anyone interested in art, politics or freedom
Comment: This book is genius and amazing. Read it right now.
Rating: 5
Summary: Brilliant, ground-breaking work
Comment: This is an amazing book, rich in detail and images, but also exploring with passion and intensity a border between queer studies, art history, and cultural studies. It demonstrates an astonishing command of the social and political history of the period it covers, along with theoretical depth and great sophistication in the reading and analysis of visual materials. I was mesmerized. Written beautifully, this book makes its erudition appear effortless, but in fact it is an extremely courageous and innovative text, bringing together disparate worlds of scholarship into a brilliant synthesis. It neither panders to popular tastes, nor remains trapped in disciplinary jargon; instead, it is an examination, full of intellectual integrity, of the intersection of the law and artistic production, showing how artists moved around and through what might have been devastating censorship by entrenched homophobia. It is to be expected that the book itself will encounter resistance, since it breaks new ground with such authority, unnerving those with vested interests in disciplinary boundaries or in policing representation.
Rating: 2
Summary: Rather disappointing
Comment: I must say that the reader from Cambridge, whose review appears below, seems to me to have it right. Certainly, the book is well-illustrated, well-researched, and readable. But analytically, whether understood as art history or cultural criticism, this book offers very little. Meyer does us a service by collecting these images and placing them next to each other, but his observations about the consequences of censorship struck me as quite banal, and predictable to such a degree that you must wonder whether he has any interest in complicating (let alone challenging) the theoretical paradigms he draws on. It is hardly news that right-wing zealots intent on suppressing representations of gay sexuality often display a questionable fascination with the very images they claim to despise. It hardly requires any advanced art historical training to see that Mapplethorpe's "Brian Ridley and Lyle Heeter" photo plays on the conventional image of the Victorian heterosexual domestic couple. I had rather hoped, given the time and effort that Meyer put into this book, that he would have been able to present something more surprising and innovative than he delivers. For a good discussion of current perspectives on censorship in law and the humanities that goes far beyond Meyer's account, see the Getty publication, edited by Robert C. Post, titled "Censorship and Silencing: Practices of Cultural Representation."
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Title: Pictures and Passions: A History of Homosexuality in the Visual Arts by James L. Saslow, James M. Saslow ISBN: 0140244352 Publisher: Penguin USA (Paper) Pub. Date: February, 2001 List Price(USD): $20.00 |
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Title: Strangers: Homosexual Love in the Nineteenth Century by Graham Robb ISBN: 039302038X Publisher: W.W. Norton & Company Pub. Date: January, 2004 List Price(USD): $26.95 |
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Title: Homosexuality and Civilization : by Louis Crompton ISBN: 067401197X Publisher: Belknap Pr Pub. Date: October, 2003 List Price(USD): $35.00 |
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Title: The Beautiful Boy by Germaine Greer ISBN: 0847825868 Publisher: Rizzoli Pub. Date: 15 November, 2003 List Price(USD): $45.00 |
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Title: Queer Street: The Rise and Fall of an American Culture, 1947-1985 by James McCourt ISBN: 0393050513 Publisher: W.W. Norton & Company Pub. Date: November, 2003 List Price(USD): $29.95 |
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