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The American Prose Poem: Poetic Form and the Boundaries of Genre

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Title: The American Prose Poem: Poetic Form and the Boundaries of Genre
by Michel Delville
ISBN: 0-8130-1859-5
Publisher: University Press of Florida
Pub. Date: 01 December, 1998
Format: Paperback
Volumes: 1
List Price(USD): $19.95
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Average Customer Rating: 5 (1 review)

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Rating: 5
Summary: Exploration of a Postmodern Genre
Comment: Michel Delville argues that the twentieth-century American prose poem ought not to be regarded as merely a piece of ornamented, poeticized prose but rather as a negotiation of the boundaries of lyric, narrative, expository, and speculative genres. In recent years the prose poem has been informed and ruptured by both poststructuralism and Marxism. In the hands of "the Language poets," the New Prose Poem insists on its scriptural illegibility rather than a speech-based comprehensibility. It may oppose the social and economic status quo, not through direct reference--which would only mirror the language of the dominant ideology--but by subverting the linguistic assumptions that undergird the status quo. Delville's interpretations are especially powerful when they focus on Gertrude Stein, Russell Edson, Charles Simic, and such "Language Poets" as Lyn Hejinian, Madeline Gins, and Kit Robinson. Delville astutely questions how politically subversive such writers can be when they make little contact with the social and political world. He refrains from asking what seems to me an equally salient question: What if the language of hegemonic discourse (e.g. TV and the internet) is now not necessarily transparent and speech-based but often discontinuous and nonreferential--that is, not fundamentally different from the language of the New Prose Poem? Perhaps one of the strengths of contemporary prose poems, and of Delville's valuable analysis of them, is that they encourage us to rethink and to refeel our relationship to the postindustrial overflow of signs.

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