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Understanding Paintings: Themes in Art Explored and Explained

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Title: Understanding Paintings: Themes in Art Explored and Explained
by Alexander Sturgis, Hollis Clayson
ISBN: 0-8230-5579-5
Publisher: Watson-Guptill Pubns
Pub. Date: 01 October, 2000
Format: Hardcover
Volumes: 1
List Price(USD): $45.00
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Average Customer Rating: 5 (1 review)

Customer Reviews

Rating: 5
Summary: A thorough grounding in art appreciation
Comment: For all the terrific essays, books, guides, museum publications and primers for the beginning art lover, this generously illustrated, thoughtful book presents one of the most practical and informative manuals on how to look at and truly see paintings. The authors have divided this survey of painting not in the usual hisorical context, but instead they show us the various types of paintings and how to approach them and get the most out of the viewing experience. By selecting categories such as Religious painting, Myth and Allegory, The Nude, History painting, Portraiture, Landscape, Still Life, and even Abstract painting they present samples from across the entire history of Western art, pointing out the hows and whys artists chose and painted each subject. Religious painting, for example, uses examples from Giotto, Tiepolo, Michelangelo, Bosch and Rembrandt to Max Ernst, Dali, Gauguin, Stanley Spencer and Jackson Pollock. By concentraiting on the subject of the painting we are guided into an understanding of the evolution of that type of painting and the result is that we are encouraged to look at every school and every period of history in a refreshed light. The section on landscape shows that the beginnings of this genre can be found in the backgrounds of the medieval frescoes and progresses through various periods until the Landscape itself is the main subject. The many interpretations of myths, allegories, Self Portraits, components of still life paintings are all explored and documented in the most user-friendly way. This book is invaluable for teachers of Art Appreciation, for those people who want to know what to look for when they visit museums, and for artists who want a different slant on the history of composition. The color reproductions are plentiful and of excellent quality. This is a fine addition to the library of art lovers and afficiandos, students and hedonists! A worthwhile investment, and a fine reference book and tool.

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