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Title: Eyes Wide Shut by Michel Chion, Trista Selous ISBN: 0-85170-932-X Publisher: British Film Inst Pub. Date: 07 October, 2002 Format: Paperback Volumes: 1 List Price(USD): $13.95 |
Average Customer Rating: 2.75 (4 reviews)
Rating: 2
Summary: "A Not-Unhappy Ending"
Comment: Stanley Kubrick was quoted in several books as saying, "I would never argue with (any) interpretation of (my) films."
Smart move. What's been interesting about the criticism of Kubrick's films over the years is the sheer volume and diversity of the interpretations. I remember reading a long Film Comment review of THE SHINING in 1980 that delved into the film's symbolism about America's troubled history of Native Americans and the breakdown of the traditional family.
I thought it was supposed to be horror movie.
For the most part, I enjoyed this BFI book about EYES WIDE SHUT but I thought the volumes about THE EXORCIST and LAST TANGO IN PARIS were more interesting since they were less abstract about their subjects. This particular take on EYES lost me when it tried to say that the film was from the point of view of the son of Tom and Nicole who hadn't been born yet. Huh?
But it's a Kubrick film.
And who can argue with any interpretation?
Rating: 2
Summary: A Nice Start, But Ultimately Inadequate
Comment: When Chion remembers to write about the actual film Eyes Wide Shut, he can be most interesting. His notes on the repetitious dialogue in this film, and in much of Kubrick's work, are very interesting, even if they don't go very far.
Unfortunately, entirely too much of M. Chion's writing is vague and unmoored, unorganized. In the beginning of the essay, Chion makes what must be one of the most ridiculous assertions in the history of film criticism: that Eyes Wide Shut is narrated by Bill and Alice's unborn (and unconceived) son. This little bombshell is dropped into the reader's lap and not explained for several pages, and M. Chion's evidence to support this outlandish claim is, to say the least, unconvincing.
If you want to read an interesting and thought-provoking essay on Eyes Wide Shut, seek out Thomas Allen Nelson's excellent book on Kubrick, entitled Kubrick: Inside A Film Artist's Maze. It is clearly and concisely written, and Nelson never makes an outlandish critical interpretation without rock-solid evidence to back it up. M. Chion would do well to follow Nelson's example.
Rating: 5
Summary: Brilliant, insightful book!
Comment: Stanley Kubrick must have been habituated to negative reviews, given the controversy that many of his films inspired. Still, there was something poignant about seeing Eyes Wide Shut scathed by the critics when Kubrick himself had just passed away. It is a great film, a masterpiece, and yet it seemed so vulnerable there without the director himself able to lend his considerable energy to its defense. Apparently everyone was expecting a Tom and Nicole lovefest and thus could not see the film for what it was -- a kind of fin-de-siecle film about love, albeit seen in a glass darkly.
Fortunately, defenders of the film are finally emerging from the woods, and at their forefront is Michel Chion. His book -- which is insightful, elegantly written, and unpretentious (a notable quality in film books) -- makes a very strong case for considering Eyes Wide Shut as the work of genius that it no doubt is. He writes with extreme sensitivity to the film's meticulous construction, luminescent cinematography, sinuous psychology, and stylized dialogue. Attentive to the smallest of details, Chion demonstrates how a simple transition shot -- Tom Cruise entering an apartment and knocking on a bedroom door (a scene that Kubrick apparently filmed dozens of times) -- plays an important part in the semantics of the entire film. And those who think of Kubrick as a cinematic purist will be surprised by Chion's convincing analysis of the film's deliberate use of language -- passwords, repetitions, even spelling, as when an incidental character spells her name aloud with such insinuation that no come-on ever sounded so alluring.
It is not always easy to explain the roots of admiration, and sometimes you simply do or do not love a thing -- a book, a film, an artwork. But Chion's book has the great merit of transforming the author's love for the film into insight and exegesis, and perhaps in this way it might inspire admiration in others too...
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Title: L.A. Confidential (BFI Modern Classics) by Manohla Dargis ISBN: 0851709443 Publisher: University of California Press Pub. Date: 05 May, 2003 List Price(USD): $13.95 |
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Title: Stanley Kubrick: Interviews (Conversations With Filmmakers Series) by Stanley Kubrick, Gene D. Phillips ISBN: 1578062977 Publisher: Univ Pr of Mississippi (Trd) Pub. Date: February, 2001 List Price(USD): $18.00 |
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Title: Kubrick: Inside a Film Artist's Maze by Thomas Allen Nelson ISBN: 0253213908 Publisher: Indiana University Press Pub. Date: June, 2000 List Price(USD): $14.95 |
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Title: Heat by Nick James ISBN: 0851709389 Publisher: British Film Inst Pub. Date: 07 October, 2002 List Price(USD): $13.95 |
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Title: Se7en (BFI Modern Classics) by Richard Dyer ISBN: 0851707238 Publisher: British Film Inst Pub. Date: July, 1999 List Price(USD): $13.95 |
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