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Title: Sons and Lovers by D. H. Lawrence, Ian McKellen ISBN: 0-88690-980-5 Publisher: Newman Communications Pub. Date: July, 1986 Format: Audio Cassette List Price(USD): $14.95

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Average Customer Rating: 4.08 (60 reviews)

Rating: 4
Summary: A Complex Examination of Dysfunction
Comment: Emotional manipulation and possessiveness are at the core of this most intriguing novel. D.H. Lawrence's SONS AND LOVERS greets the reader with the author's elegant prose while systematically immersing the story in a swirling cloud of tangled dysfunction.

Married to a drunken, rowdy coal miner in early 20th Century England, Gertrude Morel has neither a life nor a true love. Her only chance for happiness--as she sees it--is to live vicariously through her sons: first William, then Paul. Her subsequent possessiveness, her relentless interference in their lives, is smothering and destructive. When William dies, Gertrude devotes all of her attention--her manipulation--to Paul. Her son becomes a symbolic soulmate. . .lover. . .and Gertrude is unable to let him go to pursue his own relationships.

Torn between his love for his mother and his guilt whenever he harbors feelings of affection for another woman, Paul is anything but a suitable suitor. He falls in love with Miriam, but his emotional dysfunction all but dooms the relationship--a relationship constantly sabotaged by his mother. Needing a physical outlet, he has a brief affair with a married woman, Clara Dawes, but even then, his love for and devotion to his mother prevails. As his mother's health fails, Paul's existence becomes even more problematic, culminating in a transcendent death.

SONS AND LOVERS is not a "feel good" read, and Paul's inability to break free from the psychological bondage with his mother is frustrating and sometimes exasperating. Yet the true victim of this Lawrence classic is not Paul, but Miriam, who only wishes to love, and be loved in return. The man she has fallen in love with is incapable of such devotion: the tragic complexity of the story lingers long after this book has been put down.
--D. Mikels

Rating: 4
Summary: A novel presenting strong bond between a mother and her sons
Comment: The setting of the novel is in the Nottinghamshire and Derbyshire area of England. The novel is the story of the Morel family. Gertrude and Walter Morel married and went to Bestwood, a mining village in Nottinghamshire. She was a well educated and refined person; he was a warm, vigorous, uneducated man. They had four children- Annie, the daughter, and three sons- William, Paul, and Arthur. As Gertrude Morel's sons grew up, she no longer felt love for her husband, and instead turned all her love and passion towards her sons. The sons grew up hating their father and completely dependent upon their mother, who became the strongest factor in their lives; as a result, when they became men, they were unable to find a satisfactory relationship with any woman. William, the eldest, chose a flignty girl who gave him physical satisfaction, but nothing more, for his soul was his mother's. The struggle of this impasse killed him. Paul the second eldest, chose Miriam, who fought his mother for his soul; torn between the two women he ultimately returned to his mother. Later, he turned for a physical relationship to Clara, an older married woman, but again he found that the ties with his mother were too strong for a succesful relationship. Paul told his mother that as long as she lived he could not live a full life or love any woman. She became ill, and Paul dedicated his life completely to her. When his mother died, he was left alone with a wish only for death.

Rating: 4
Summary: Husbands and Mama's Boys
Comment: This story of the Morel family begins with a dramatic portrayal of the effect industrialization has on human lives. Mr. Morel, a coal miner in turn-of-the-century Britain, lives a life of drudgery, anger and desperation. He takes his frustrations out on his wife Gertrude, while the real source of his unhappiness is his own low self-esteem. Gertrude is embittered by his hardness and so looks to her sons to fill all her emotional needs. This constitutes Part One of the novel, which to this reviewer's taste is the more satisfying section. The detailed descriptions of the arguments and even outright fights between the married couple are as powerful as anything in fiction, and bleakly dramatize how poverty can destroy the very hearts and souls of the working classes. Morel is oppressed by his employer, so he in turn oppresses his wife, who emotionally smothers her sons. Fight the power!

All of which is what makes Part Two such a disappointment. The entire second half of the book revolves around the second son, Paul, and how his closeness to his mother makes it impossible for him to engage in satisfactory relationships with other women. Miriam, the milquetoast who yearns for a transcendent, spiritual love, cares for Paul so much that she lets him walk all over her. The much tougher and independent Clara introduces Paul to a more physically satisfying relationship, but neither of them has any real attachment to the other. The weakness of this second half is not just that it all seems to take far too long; it's that over time, the characters become very unsympathetic. None of them have the strength of will to break away from their failing relationships, despite the fact that these failures cast dark shadows across their lives. And there's certainly nothing tragic about these young people mooning about, complaining that their relationships aren't what they'd like them to be; most especially in the context of Part One, which reminds us that there are people in this world who are really suffering.

Readers who are deeply interested in the internal subtleties of male-female relationships (and this probably includes a majority of young women) will love this book. If the two parts were published separately, this reviewer would unhesitatingly give Part One five stars, while grudgingly giving Part Two three and a half. For Mama's boys (and those who've seriously dated them) this book certainly rates five stars, but others will find these characters so annoying that even four stars may seem generous.