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The Home Studio Guide to Microphones

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Title: The Home Studio Guide to Microphones
by Loren Alldrin, George Petersen, Michael Molendra, Michael Molenda
ISBN: 0-918371-22-8
Publisher: MixBooks
Pub. Date: February, 1998
Format: Paperback
Volumes: 1
List Price(USD): $34.95
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Average Customer Rating: 4.8 (5 reviews)

Customer Reviews

Rating: 5
Summary: Excellent book covers complicated and subjective topic...
Comment: I have been around music as a musician for years and knew a thing or two about the recording process...but, I knew very little about mics, mic placement, etc.

This book really opened up a world for me that I was always fascinated with...how did those guys get such great sound on their album??? The most important thing is the mics and where and how you use them. This book gives you the basics and then some.

With this book I was able to record my first band with near professional studio quality sound...

I would recommend this book to anyone interested in recording or for bands going into the studio to give you input as to what you want...

Rating: 5
Summary: Solid, easily accessible information
Comment: A terrific book that we rely on here at Mercy College.

Basically the book is broken up into three sections: In the first, Alldrin talks about microphone operational principles. You'll find lots of useful information about microphone design, how directional mics work, how to understand micropone specifications, an so forth.

In the second section, he covers issues regarding Microphone Apllications, such as placement techniques and stereo miking. There are several short 2-4 page "chapters" that focus on miking particular instruments in various ways. As with all of the sections of the book, these chapters are well-illustrated and easy to follow.

The final section discusses the characteristics of specific common microphones. A "buyer's guide" groups mics into price categories such as Mics under $500, Mics from $500 to $1000, etc.. Each mic is featured with a photo and specifications, making this section a great way for a beginner to become acquainted with what's out there.

My students have responded positively to this book as a text. It's also a good model of HOW a music technology book should be written. If you are interested in learning about microphones, you won't regret picking this book up.

Stephen B. Ward
Mercy College, White Plains, NY

Rating: 4
Summary: Understanding sound
Comment: Everything you need to know about sound is in this book. Understand sound, then you can manipulate it, according to your ear's preference. And it shows you how important it is to develop several styles of recording for different music. The recurring theme is "there's no right way". Instead, every technique is analysed, and explained, in plain enough English (with some SPF's, and dB's which are also explained anyway), and it shows that what determines the mic positioning, is what YOU want from the sound. Vague, I know, but you'll understand once you get this book.

The night before a major recording, this is the book I read through to recap on a few mic positioning techniques for the different instruments. It shows you the kind of techniques from the harmonica and accordion, through to the modern rock drum-kit.

There is also a list of microphones with some of its data, though a small comment on each would be appreciated. Still, it's a good start for the engineer who is starting from scratch.

Nothing has been exaggerated above, it truly is a great book, well worth its price.

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