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Title: Ghosts (Plays for Performance) by Henrik Johan Ibsen, Nicholas Rudall ISBN: 0-929587-46-4 Publisher: Ivan R Dee, Inc. Pub. Date: 01 January, 1990 Format: Hardcover Volumes: 1 List Price(USD): $15.95 |
Average Customer Rating: 4 (6 reviews)
Rating: 5
Summary: Seemingly simple, but complex study
Comment: I chose this book to read and analyse a couple of years ago. It seemed to have simple meaning, but the more I tried to analyse, the more outstanding I found the book, and far from simple.
Helen Alving is a widow and is keeping a secret. One day she tells her friend Manders and he's quite shocked. It all has to do with some money from her dead husband that she doesn't want her son to have. Oswald, her son, comes home from abroad with very sad news. He is ill, and there isn't a cure for him. When Mrs. Alving is told that it was most likely inherited, she tells her son the secret too, and that changes his view on his father. As the book goes on, the intriques grow bigger...
Ibsen is probably more known for his play "A Doll House", but this one is just as great. He was very critical of the society and most, if not all, of his books often has a somewhat hidden story where he debates social matters and also morals. He use symbols and mostly contrasts to give the play a certain atmosphare and meaning. I believe this is one of Ibsen's greatest plays and strongly recommend it to anyone.
Rating: 5
Summary: Ibsen's controversial attack on conventional morality
Comment: Although Henrik Ibsen is the first great modern dramatist, his play "Ghosts" ("Gengangere") bears a strong similarity to ancient Greek drama, where the "tragic flaw" of the protagonist lives on in his children. However, in this story the curse on the Alving family has a medical basis. Published in 1881 but not performed until the next year because of its controversial subject matter, "Ghosts" deals with the impact of congenital venereal disease on a family. "Ghosts" strongly reflects Ibsen's desire to attack hypocrisy and conventional morality and caused even more of a furor that his previous drama, "A Doll's House."
Helen Alving is building an orphanage as a memorial to her late husband and the night before the dedication she confesses to her old friend Parson Manders that her husband had been a "degenerate," and she is building the orphanage using her husband's "dirty" money so only her own money will pass on to her son, Oswald, who has just returned from living abroad. But then Oswald confesses he has a debilitating, incurable disease that the doctors believe was inherited. Even from beyond the grave, the "ghost" of Captain Alving ruins the life of his family. Mrs. Alving has to confess her husband's past to their son, destroying the young man's idealized view of his father. Knowing he is dying, Oswald wants to seduce the maid, Regina, so that when he enters the next stage of the disease she will give him poison. Oswald does not care that Regina is really his half-sister, and in the end it will be his mother's decision whether or not to give her son the poison when Oswald begins to have his attack.
The ending of the play constitutes a Rorschach test for the audience, with Ibsen refusing to let them off the hook. "Ghosts" is probably the Ibsen drama that relies most on symbolism, from the heavy use of light/dark imagery to the purifying aspects of fire, to the obvious symbolism of ghosts. Consequently, I think this makes "Ghosts" one of the easier plays by Ibsen for students to analyze. Final Argument: Reading Ibsen's plays in order has greater benefit than usual. If you read "A Doll's House," "Ghosts," "An Enemy of the People," and "The Wild Duck," then you will see the playwright struggling to find a play that will reflect his deeply held beliefs and also find widespread critical and public acceptance. The relationship between each set of plays in the progression becomes insightful, as Ibsen either extends or reverses elements of the previous drama. For teachers of drama there might not be a better quartet of plays to study to show the growth of a major dramatist.
Rating: 5
Summary: A daring drama challenging social restrictions
Comment: If a great dramatist did not challenge the binding social restrictions back in late 19th century, it would probably have taken longer for us to break the chains of convention. Ibsen contributed to the liberation of society and its rules using dramatic pieces like Ghosts. I don't want to give out the plot, but basically it's about a catastrophe created when the characters adhered to outdated social norms instead of following their hearts. The play is written after the classical Greek style of tragedy, so there's a strong taste of Sophecles in Ghosts. The play begins less than 24 hours before its end, and Ibsen's greatness is clearly shown by his ability to pack so much plot and message in so few words. When read today, the figures in Ghosts may seem ridiculous, for they strictly follow outdated rules that we all belittle today. But had not Ibsen had the courage to attack them, we might still be living under those rules now. Definitely a great piece.
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Title: Heartbreak House by George Bernard Shaw ISBN: 0486292916 Publisher: Dover Pubns Pub. Date: 31 October, 1996 List Price(USD): $2.00 |
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Title: An Enemy of the People by Henrik Ibsen ISBN: 0486406571 Publisher: Dover Pubns Pub. Date: 24 February, 1999 List Price(USD): $2.00 |
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Title: Miss Julie by August Strindberg ISBN: 0486272818 Publisher: Dover Pubns Pub. Date: 18 September, 1992 List Price(USD): $2.00 |
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Title: Dance of Death by August Strindberg, Richard Greenberg ISBN: 0822218674 Publisher: Dramatist's Play Service Pub. Date: September, 2003 List Price(USD): $6.50 |
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Title: An Ideal Husband by Oscar Wilde ISBN: 048641423X Publisher: Dover Pubns Pub. Date: 05 February, 2001 List Price(USD): $1.50 |
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