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The Laugh Crafters: Comedy Writing in Radio and Tv's Golden Age (Vintage Comedy Series)

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Title: The Laugh Crafters: Comedy Writing in Radio and Tv's Golden Age (Vintage Comedy Series)
by Jordan R. Young
ISBN: 0-940410-37-0
Publisher: Past Times Publishing Co.
Pub. Date: 01 October, 1998
Format: Paperback
Volumes: 1
List Price(USD): $17.95
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Average Customer Rating: 4.67 (6 reviews)

Customer Reviews

Rating: 5
Summary: Marvelous!
Comment: Anyone with an interest in classic comedy writing will find this book to be an absolute treasure trove. It is a fascinating and comprehensive work consisting of interviews with the men (almost exclusively, men) who created the industry of modern comedy writing and, thus, the television industry as we all know it. I enjoyed every page!

Rating: 5
Summary: As close as you'll ever get to finding a Time Machine
Comment: Jordan Young's interviews with some of Hollywood's top radio comedy writers in the thirties, forties and fifties gives the reader interested in show business nostalgia so much more than could be reasonably expected. While I was reading the book, I felt that I went back in time and I throughly enjoyed every hour.

We don't read transcripts of old radio shows--instead, we get a front row seat on Sunset and Vine in Hollywood and find out--through the writers--all that went on before the show went on the air and how the whole frenzied process began again immediately after the show went on the air.

I always wondered how these old radio shows were put together. What we learn is that each comedy star had his own system. While Eddie Cantor may have employed a hundred writers in a chaotic fashion over his long radio career with only modest results, Jack Benny had a long-time stable of six or seven writers and by consensus, had established, along with Fred Allen, the "gold standard" in radio comedy.

I loved this book!

Rating: 4
Summary: Useful for humor writers and historians
Comment: Interviews with radio & TV comedy writers from the 1930s to the 1970s. Many are unknown by the general public because they were writers, not performers. Here they are given recognition. The interaction between the writers and the famous stars, and also the producers of the shows is covered. A useful book for comedy writers and for humor historians.

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