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Washington Irving's the Legend of Sleepy Hollow (Mystery Theatre)

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Title: Washington Irving's the Legend of Sleepy Hollow (Mystery Theatre)
by Washington Irving, St. Charles Players, St Charles Players
ISBN: 1-56994-522-5
Publisher: Monterey Soundworks
Pub. Date: October, 1999
Format: Audio Cassette
Volumes: 2
List Price(USD): $16.95
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Average Customer Rating: 4.4 (42 reviews)

Customer Reviews

Rating: 5
Summary: Classic, but...
Comment: While The Legend of Sleepy Hollow is a timeless tale that has endured the ages and countless retellings from Disney to Tim Burton, the original work contains a rather large error in tone - a blatant one. The story is told in third person as though it's a journal - the sketch book of Diedrich Knickerbocker, in fact. This is fine, except for the climax scene in which Ichabod journeys home through the hollow from Van Tassel's house, and is confronted by the Headless Horseman. This scene is written with all the detailed minutia that characterizes Irving's style, but the obvious problem is that, of course, nobody was there to witness what happened to Ichabod Crane while he was alone in the wilderness, so therefore it could not possibly be communicated by means of somebody's journal - this person would never have known what actually happened in the Hollow since nobody was there to witness it, and apparently Ichabod never survived or stuck around to tell anyone. Irving never deals with this obvious problem in the text (a simple "This is what we think happened..." would've sufficed). The story probably would've worked much better with a traditional "God-perspective" narrator rather than a fictional character's journal. It is nonetheless, a classic work of American literature and should be read by everyone.

This is a fine edition and also includes Rip Van Winkle, another story of paranormal experience and also of the Knickerbocker sketch book. It's a similar tone to Sleepy Hollow, but the characters aren't as memorable.

Rating: 5
Summary: A Folk Artist's Reconception Of America's Classic
Comment: Will Moses' illustrated retelling of Washington Irving's The Legend of Sleepy Hollow rivals Arthur Rackham's near century-old version as the best edition of the book ever published. The Rackham version, with its moody, archetypal illustrations, has the slight edge, as it contains Irving's full original text in addition to Rackham's spectacular artwork.

However, Moses's simplification of the narrative is masterfully executed, and the colorful, playful, and numerous paintings which adorn the book have a warm period charm of genuine Americana. Moses portrays the Hudson River Valley as a lush expansive valley not unlike the Garden of Eden on the first day of creation. Happy farmers, their wives and children, cows, geese, ducks and pigs frolic together amid fields of wheat and corn; galleons approach dramatically from the river; and the Catskill Mountains, sun, and sky suggested an infinite panorama and endless horizon full of promise.

The story tells us that the Dutch colonists were a superstitious lot, and that the Sleepy Hollow region itself was or seemed to be under a spell of some kind. The farmers and their wives suspected witchcraft; strange music was heard in the air; visions were seen; and the inhabitants themselves lived their lives in a kind of continuous dreamy revery. These tales and superstitions give rise to the legend of the headless horseman, said to be the ghost of a Hessian soldier who lost his head to a canon ball in the war, and now nightly prowling the region in search of it. Moses' nocturnal landscapes of the swamps, hills and the Old Dutch Cemetery under a bright harvest moon are particularly effective. Significantly, these stark, haunted landscapes do not violate the spirit of the book, but enrich its sense of wonder.

Moses' Ichabod is a cheerful but somewhat hapless fellow, confident and foolish in equal parts. His Katrina is a strong but innocent blond beauty, and a friend to children. Brom Bones is an appropriately square-shouldered, square-jawed hooligan, rowdy and full of mischief, if not absolute spite.

Anyone familiar with the tale knows that it is not a horror story but a folktale, a fireside spook story, and a 'legend' as Irving, writing here as Diedrich Knickerbocker, himself called it. This edition of the book is appropriate for children but is equally suitable for adults. Highly recommended.

Rating: 3
Summary: the description is marvellous
Comment: Actually, I personlly think the story is not as attracting as I have imagined before reading. But what kept me continuing reading from the cover to the end? Curosity! The vivid and animated description often made me laugh, and I seemed to see the scene that is just before my eyes!The author`s precise and elaborate description and his master composing technic is what we can learn from. Though the story is told in the third person, but as if we are told by an intimate friend. I love this story, and also the charming place!

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