AnyBook4Less.com	Find the Best Price on the Web Order from a Major Online Bookstore
Home  |  Store List  |  FAQ  |  Contact Us  |
Ultimate Book Price Comparison Engine Save Your Time And Money Keyword AuthorISBN

Title: Botticelli by Ronald Lightbown ISBN: 2-85088-100-7 Publisher: Citadelle & Mazenod Pub. Date: 21 March, 1990 Format: Hardcover

Your Country USA Canada United Kingdom Australia Austria Belgium France Germany Italy Netherlands Switzerland Currency AutoUSD CAD GBP EUR AUD CHF Delivery Only cheapest delivery All delivery options Include Used Books Are you a club member of: Barnes and Noble Books A Million Chapters.Indigo.ca

Average Customer Rating: 5 (2 reviews)

Rating: 5
Summary: little jewels
Comment: These stickers are small, pretty reproductions of various pieces of artwork. Each sticker is unique in the book, no doubles of any picture. They aren't the most perfect color plates ever, but they're basically for correspondance and craft purposes, or could be used as a reference (say, by Art History students). While I wish there had been duplicates, I can't fault Dover for erring on the side of variety, and I can't argue with the wonderful value the price represents. This little book is great as stationery, but it would also make a nice stocking-stuffer or gift topper. If Botticelli isn't your favorite artist, Dover has made books of other artists' work, which Amazon also offers and which are just as nifty.

Rating: 5
Summary: The First Sense
Comment: BOTTICELLI's art tells what he liked in other artists: the shaded color and light of Andrea del Verrocchio, the energy of Antonio del Pollaiolo, and the faces of Fra Filippo Lippi. From Bruno Santi's book, it becomes clear what he liked in his own work: atmosphere, in the coarse tent with the headless Assyrian King Holofernes and in the dawn alive with Judith and her lady-in-waiting; attention to detail, in the blue enamel armor and metal highlights of his Fortitude; color, in the dawn flesh tones under the cornflower- and daisy-decorated clothing on his Birth of Venus; innovation, in the clear path to the larger-than-life 16th-century art with his Calumny, in the first early Renaissance freely placed figures with his Primavera and in the first Italian inscription in a painting with his Madonna enthroned with saints; meditation, in the golden dusk of his Adoration of the Magi; tension, in the contorted acolytes at his Communion of St. Jerome. The author also shows in his Scala/Riverside published work what the Florentine art world was doing during David Landau and Peter Parshall's THE RENAISSANCE PRINT 1470-1500. Likewise, his beautifully illustrated text is a good way to understand Jill Dunkerton's DURER TO VERONESE, Sylvia Ferino-Pagden and Maria Kusche's SOFONISBA ANGUISSOLA, Mary D. Garrard's ARTEMISIA GENTILESCHI, Andreas Prater and Hermann Bauer's PAINTING OF THE BAROQUE, and Rudolf Wittkower's ART AND ARCHITECTURE IN ITALY 1600-1750.